ecoartspace online + billboard exhibition (Juror: Eleanor Heartney)

Barrett Art Center, Poughkeepsie, New York (Juror: Karl Kusserow)

Academy Art Museum, Easton, MD

RiverArts, Chestertown, MD

The Mansion at Strathmore, Bethesda, MD

National Institutes of Health, Bethesda, MD

Allegany Arts Council, Cumberland, MD

An experimental artist installation that investigates contested boundaries, shifting borders, territories, and crossings while moving along the 42nd parallel. Yellowstone National Park, WY; City of Rocks National Reserve, ID; Oregon Desert Trail, OR; and Jedediah Smith Redwood State Park, CA.

Marlboro Gallery, Prince George’s Community College, Largo, MD

Pelham Art Center, Pelham, NY

Adkins Arboretum, Ridgely, MD (solo show)

Liu Institute for Global Issues, University of British Columbia, Vancouver, BC

Green Chalk Contemporary, Monterey, CA

Green Chalk Contemporary, Monterey, CA

Green Chalk Contemporary, Monterey, CA (solo show)

Green Chalk Contemporary, Monterey, CA

Piermont Straus, Piermont, NY (solo show)

Gertrude Herbert Institute of Art, Augusta, GA, curated by William Willis (solo Show)

Countdown Temporary Artspace, Bethesda, MD

39th Street Gallery and Project Space, The Gateway Arts Center, Brentwood, MD

Academy Art Museum, Easton, MD (solo show)

Irvine Nature Center, Owings Mills, MD

Greenbelt Community Center Art Gallery, Greenbelt, MD (solo show)

Union of Concerned Scientists, Washington, DC

Sam Lee Gallery, Los Angeles, CA

Katzen Arts Center, American University, Washington, DC

Sam Lee Gallery, Los Angeles, CA

Dumbo Arts Center, Brooklyn, NY

The Dark Mountain Project, Issue 24, Autumn 2023, Eight Fires. (Illustration in chapter 4, “Beltane, 1st May, ‘Plant Dialogues'”.)

The Black Earth Institute. Volume VII, Issue IV, October 2023: The More-Than-Human World. (Editors: Nickole Brown & Erin Coughlin Hollowell)

Issue 8, Fall 2021: Crisis/Resilience/Recovery (Editors: David Reeve & Luciane Pisani)

The Dark Mountain Project. Issue 16: “Refuge: Ten Years on the Mountain.” 

Iowa State University, Department of English. “8 Pieces + An Interview – Rebecca Clark” (Visual Art Editor: Julia Bilek)

Endless Editions, edited by Alick Shiu, ISBN-13-978-1-63429-028-9

Digital ‘illuminated manuscript’ created in collaboration with poets, writers, scientists, and songwriters. Designed and illustrated by Rebecca Clark. Contact me if you’d like a copy of the PDF.

Edition 4: Shape (Editor: Jay Armstrong) 

Issue 1 (Artistic Director: Krista Caballero)

Edition 3: Roots (Editor: Jay Armstrong)

CD & LP on-body artwork. (Acid Jazz)

“Wolf Crossing” (Editor: Tom Jeffreys)

“Reverence and Awe” (Editor: Gregory Whitehead)

“The Humbling” (Editor: Gregory Whitehead)

Issue 9: The Dark Mountain Project, (cover illustration)

“Entangled Empathy” (Editor: Gregory Whitehead)

“Finite and Alive, an interview with Rebecca Clark” (Editor: Tom Jeffreys)

“Finite and Alive” (Editor: Gregory Whitehead)

Volume 34, Number 3, “A Roaring Force from One Unknowable Moment: The story of the universe has the power to change history,” Mary Evelyn Tucker in Conversation with Kathleen Dean Moore, Drawings by Rebecca Clark

“Cycles of Life,” interview with Rebecca Clark. (Editor: Gregory Whitehead)

“Silent Spring” (Editor: Gregory Whitehead)

Issue 70, “The Fable of a Future Spring Woke Us Up: Chris Jordan on Rachel Carson’s Silent Spring”

International Drawing Annual, Manifest Creative Research Gallery and Drawing Center

“Newcomer: Rebecca Clark,” by Anna Blake

Colin Tudge: “A Different Way of Looking at the World: Science, Politics and a Sense of the Sacred.” Illustrations by Rebecca Clark. Issue 6. (Editor: Sharon Blackie)

Issue 24, cover illustration and a portfolio of drawings with introduction by Jane Rosen (Editor: Richard Whittaker)